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In the text, the characters all fight with swords, on a stage empty of all but citizens of the watch. The ensuing fight scene provides an excellent example of the difference in choreography and props.

The Montague boys quake with fear, and jump when Abra yells, “Boo!” Abra, of course, laughs hysterically and gets back into his car ready to drive away until he sees one of the Montague boys bite his thumb. Tybalt goes inside, but Abra remains next to the car, sees the Montague boys, and faces them with an intimidating glare. Tybalt shows up and further provokes the fight.Ĭuriously enough, the corresponding scene from the film shows instead Benvolio and the “Montague boys” cruising along the freeway in a bright yellow convertible, laughing raucously, with one of them turning around to face the camera and yelling: “A dog of the house of Capulet moves me!” They pull up to a gas station, Benvolio goes inside, and immediately afterward arrive Tybalt and the “Capulet boys,” Abraham (here abbreviated to Abra) and another.

They proceed to argue about whose master is better, and fight until Benvolio arrives and tells them to put up their swords. SAMSON : No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir (1.1 37-45). SAMSON : Is the law of our said if I say ‘Ay’ I will bite my thumb at them, which is a disgrace to them if they bear it.ĪBRAHAM: Do you bite your thumb at us, sir? Gregory suggests that frowning in their general direction will suffice initially. Samson responds, “Quarrel, I will back thee” (1.1 30). Here comes of the house of Montagues” (1.1 29). They continue their repartee until Abraham and another servingman of the Montagues arrive. SAMSON: A dog of the house of Montague moves me (1.1 5-7). GREGORY: But thou art not quickly moved to strike. Here Shakespeare's text shows Samson and Gregory of the house of Capulet exchanging in witty banter: The differences between these two works are distinctly illustrated in Act One, Scene One of the text and its matching film scene. A closer reading, however, will also illuminate significant deviations in verse. A mere glance at the film will show anyone with even the slightest knowledge of the play that the two are ferociously different in terms of setting, costume, casting, music, and props.

Leonardo dicaprio romeo and juliet movie online